Matisse: From Color to Architecture
by Rene Percheron
from Harry N. Abrams
Few artists have explored genres and techniques with such curiosity and pleasure as Henri Matisse, whose fascination with the relationship between interior and exterior forms occupied him throughout his career. In the early 1950s, he chose to dedicate his last years to the Chapel of the Rosary in Vence and the nursery school in his hometown of Le Cateau-Cambrésis, both in the South of France. These sites represent a culmination of all Matisse's earlier visual and spatial explorations.
This book sheds new light on the development of Matisse's oeuvre, which spans some 60 years. Lavishly illustrated with almost 400 images, this deluxe volume includes beautiful reproductions of the artist's most famous paintings paired with lesser-known documents and photographs culled from the archives of his estate. The authors also gathered first-hand accounts related by numerous participants in the Vence and Le Cateau projects. The result is a fascinating, almost day-to-day look at Matisse's process as he created these works, and an intimate portrait of both the artist and the man. AUTHOR BIO: The late René Percheron was head of the museum of national antique art in Saint-Germain-en-Laye, France, and a lecturer on the history of art and photography. Christian Brouder is a researcher at CNRS, the national organization for scientific research in Paris.
Fauvism (World of Art)
by Sarah Whitfield
from Thames & Hudson
Fauvism was an extremely short-lived movement in modern painting, and an extremely important one as well. The name was attached to a group of paintings exhibited at the Paris Autumn Salon in 1905 by such artists as Henri Matisse and George Braque. But the group of painters that the name Fauvism referred to had moved on to other things within a year. Still, while Matisse may not have considered himself a Fauvist by 1906, he always acknowledged the movement's importance. "Fauvism isn't everything," he said, "but it is the foundation of everything." Author Sarah Whitfield does a fine job of providing context for the Fauvist movement and an understanding of its impact on modern art.
Primitivism, Cubism, Abstraction: The Early Twentieth Century (Modern Art : Practices and Debates)
by Gill Perry
from Yale University Press
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