Drawing

The New Drawing on the Right Side of the Brain

illustrated with 12-page color photo insert and line art throughout

A revised and expanded edition of the classic drawing-instruction book that has sold more than 2,500,000 copies.

When Drawing on the Right Side of the Brain was first published in 1979, it hit the New York Times bestseller list within two weeks and stayed there for more than a year. In 1989, when Dr. Betty Edwards revised the book, it went straight to the Times list again. Now Dr. Edwards celebrates the twentieth anniversary of her classic book with a second revised edition.

Over the last decade, Dr. Edwards has refined her material through teaching hundreds of workshops and seminars. Truly The New Drawing on the Right Side of the Brain, this edition includes:

* the very latest developments in brain research;
* new material on using drawing techniques in the corporate world and in education;
* instruction on self-expression through drawing;
* an updated section on using color; and
* detailed information on using the five basic skills of drawing for problem solving.

Translated into thirteen languages, Drawing on the Right Side of the Brain is the world's most widely used drawing-instruction guide. People from just about every walk of life--artists, students, corporate executives, architects, real estate agents, designers, engineers--have applied its revolutionary approach to problem solving. The Los Angeles Times said it best: Drawing on the Right Side of the Brain is "not only a book about drawing, it is a book about living. This brilliant approach to the teaching of drawing . . . should not be dismissed as a mere text. It emancipates."

New Drawing on the Right Side of the Brain Workbook: Guided Practice in the Five Basic Skills of Drawing

Millions of people have learned to draw using the methods of Dr. Betty Edwards. Now, in an essential companion to her bestselling classic, Edwards offers readers the key to mastering this art form: guided practice in their newfound creative abilities.

Here are forty new exercises that cover each of the five basic skills of drawing. Each practice session includes a brief explanation and instructional drawings, suggestions for materials, sample drawings, and blank pages for the reader's own drawings. Also provided in this spiral-bound workbook is a pullout viewfinder, a crucial tool for effective practice. While The New Drawing on the Right Side of the Brain focused primarily on portrait drawing with pencil, this workbook gives readers experience in various subject matter-still life, landscape, imaginative drawing-using alternative mediums such as pen and ink, charcoal, and conté crayon.

For all those who are taking a drawing class, who have already received instruction through a book or course, or who prefer to learn by doing, this volume of carefully structured "homework" offers the perfect opportunity to reinforce and improve their skills and expand their repertoire.

Drawing with Children

How to Draw What You See (Practical Art Books)

•A best-seller for 35 years

• A timeless classic that has taught generations of artists—and will teach generations more

When it was originally published in 1970, How to Draw What You See zoomed to the top of the publisher's best-seller list—and it has remained there ever since. "I believe that you must be able to draw things as you see them—realistically," wrote Rudy de Reyna in this introduction. Today, generations of artists have learned to draw what they see, to truly capture the world around them, using de Reyna's methods. How to Draw What You See shows artists how to recognize the basic shape to draw the object, no matter how much detail it contains.

Character Animation Crash Course!

Character Animation Crash Course! is a veritable Genie's lamp stuffed with everything the aspiring animator could wish for! Renowned animator Eric Goldberg's detailed text and drawings illuminate how to conceive characters "from the inside out" to create strong personalities. Classic animation techniques are analyzed and brought to life through this unique book and its accompanying CD that offers readers animated movie examples that show, in real time or frame-by-frame, the author's principles at work. Add to this Goldberg's discussions of classic cartoons and his witty, informative observations based on the wealth of knowledge he's gained during his 30-plus years in professional animation, and you have a tour-de-force guide to character animation with the classic touch.

Design Drawing

Design Drawing Book and CD - ROM Francis D.K. Ching with Steven P. Juroszek Author and architecture educator Francis D.K. Ching shares his unique command of visual language in this new presentation of drawing principles and techniques. Design Drawing is a comprehensive introduction to drawing and more-its innovative book-plus-CD-ROM package sheds new light on the relationship between perception, drawing, and design. In his distinctive graphic style, Ching takes us on an exciting journey through the process of creation. He unmasks the basic cognitive processes that drive visual perception and expression, incorporating observation, memory, and rendering into a creative whole. But the author sees drawing "not only as artistic expression but also as a practical tool for formulating and working through design problems," showing us how to apply "visual thinking" as a versatile tool for approaching design projects. Design Drawing covers the traditional basics of drawing, including line, shape, tone, and space. Different types of artistic conventions such as multiview, paraline, and perspective drawings are also lucidly explained. The final section, "Drawing from the Imagination," fuels the creative spirit to find its own direction. Throughout the book you'll find over a 1,500 hand-rendered drawings and exercises which reinforce the concepts and lessons of each chapter. The supplemental CD-ROM is packed with brilliant gems of information and instruction, elucidating a broad range of design drawing concepts through the communicative power of animation, video, and three-dimensional models. Intended for use with the book or as a stand-alone supplement, the CD-ROM includes 25 interactive lessons which demonstrate concepts and techniques in a way that a 2-D book format cannot. For example, the CD-ROM contains video of the author demonstrating freehand techniques in a step-by-step manner, as well as the author's voice throughout the CD-ROM explaining the various lessons. For professional architects, designers, fine artists, illustrators, teachers and students alike, this all-in-one package is both an effective tool and an outstanding value. System Requirements: Windows(r) Processor - 486DX 66 MHz (Pentium recommended) RAM - 16 MB Hard disk space available - 10 MB Graphics card and monitor - 640 × 480 SVGA display/256 ColorSound Blaser compatible sound card and external speakers Windows(r) 3.1 or Windows '95(r) 4X CD-ROM Drive Macintosh(r) Processor - 68040 25 MHz or PowerMac 601 (Quadra 650 or/PowerMac 6100 or better) RAM 16 MB Hard disk space available - 10 MB Monitor - 256 colors (640×480) Standard internal Mac sound (external speakers optional) Operating System: System 7 or later 4X CD-ROM drive

Keys to Drawing

Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels

Scott McCloud's Understanding Comics was published in 1993, just as "Comics Aren't Just for Kids Anymore!" articles were starting to appear and graphic novels were making their way into the mainstream, and it quickly gave the newly respectable medium the theoretical and practical manifesto it needed. With his clear-eyed and approachable analysis--done using the same comics tools he was describing--McCloud quickly gave "sequential art" a language to understand itself. McCloud made the simplest of drawing decisions seem deep with artistic potential.

Thirteen years later, following the Internet evangelizing of Reinventing Comics, McCloud has returned with Making Comics.

Designed as a craftsperson's overview of the drawing and storytelling decisions and possibilities available to comics artists, covering everything from facial expressions and page layout to the choice of tools and story construction, Making Comics, like its predecessors, is also an eye-opening trip behind the scenes of art-making, fascinating for anyone reading comics as well as those making them. Get a sense of the range of his lessons by clicking through to the opening pages of his book, including his (illustrated, of course) table of contents (warning: large file, recommended for high-bandwidth users):

Scott McCloud tore down the wall between high and low culture in 1993 with Understanding Comics, a massive comic book about comics, linking the medium to such diverse fields as media theory, movie criticism, and web design. In Reinventing Comics, McCloud took this to the next level, charting twelve different revolutions in how comics are generated, read, and perceived today. Now, in Making Comics, McCloud focuses his analysis on the art form itself, exploring the creation of comics, from the broadest principles to the sharpest details (like how to accentuate a character's facial muscles in order to form the emotion of disgust rather than the emotion of surprise.) And he does all of it in his inimitable voice and through his cartoon stand–in narrator, mixing dry humor and legitimate instruction. McCloud shows his reader how to master the human condition through word and image in a brilliantly minimalistic way. Comic book devotees as well as the most uninitiated will marvel at this journey into a once–underappreciated art form.

Force: Dynamic Life Drawing for Animators, Second Edition

Force: Dynamic Life Drawing for Animators

Capture the force in your life drawing subjects with this practical guide to dynamic drawing techniques - packed with superb, powerfully drawn examples that show you how to:

* Bring your work to life with rhythmic drawing techniques
* Create appealing and dynamic poses in your drawings
* Experience the figure's energy in three dimensional space
* Use the asymmetry of straight and curved lines to clarify the direction of force in the body
* Build on your foundational anatomy and figure drawing skills to animate your drawings
*Apply the theory of force to your on-location and animal drawing observations


Whether you are an animator, comic book artist, illustrator or fine arts' student you'll learn to use rhythm, shape, and line to bring out the life in any subject while Mike Mattesis infectious enthusiasm will have you reaching for your pencils!

Mike Mattesi is the owner and founder of Entertainment Art Academy (www.enterartacad.com) based in Southern California. He has been a professional production artist and instructor for the last fifteen years with clients including Disney, Marvel Comics, Hasbro Toys, ABC, Microsoft, Electronic Arts, DreamWorks and Nickelodeon.

Audience level: Intermediate to advanced

* Discover and master the techniques of rhythmic drawing and bring your work to life
* Learn from a professional production artist who has successfully taught his unique techniques for the last fifteen years
* Written in an accessible, enthusiastic style which will have you reaching for your pencils!

Prepare to experience a brand new thought process on the drawing of life and the expression of energy. This important concept is also the least talked about subject in figure drawing classes today. Artist Michael Mattesi is your guide on an exciting and provocative journey through multiple methods of thinking using easy to understand critiques of dynamic drawings. Learn to approach drawing through Michael

The Natural Way to Draw: A Working Plan for Art Study

Great for the beginner and the expert, this book offers readers exercises to improve their work.