General

What It Is

The Big Penis Book

This hefty volume is profusely illustrated with more than 400 historic photos of spectacular male endowments, including rare photos of the legendary John Holmes. The majority of the photographs are from the 1970s when the sexual revolution first freed photographers to depict nude men.

PostSecret: Extraordinary Confessions from Ordinary Lives

The project that captured a nation's imagination.

The instructions were simple, but the results were extraordinary.

It all began with an idea Frank Warren had for a community art project. He began handing out postcards to strangers and leaving them in public places -- asking people to write down a secret they had never told anyone and mail it to him, anonymously.

The response was overwhelming. The secrets were both provocative and profound, and the cards themselves were works of art -- carefully and creatively constructed by hand. Addictively compelling, the cards reveal our deepest fears, desires, regrets, and obsessions. Frank calls them "graphic haiku," beautiful, elegant, and small in structure but powerfully emotional.

As Frank began posting the cards on his website, PostSecret took on a life of its own, becoming much more than a simple art project. It has grown into a global phenomenon, exposing our individual aspirations, fantasies, and frailties -- our common humanity.

Every day dozens of postcards still make their way to Frank, with postmarks from around the world, touching on every aspect of human experience. This extraordinary collection brings together the most powerful, personal, and beautifully intimate secrets Frank Warren has received -- and brilliantly illuminates that human emotions can be unique and universal at the same time.

A Lifetime of Secrets: A PostSecret Book

The award-winning PostSecret project's most profound and stunning postcards to date

For the past three years Frank Warren has invited people of all backgrounds and nationalities to send him creatively decorated postcards bearing secrets they have never before revealed. He has shared these PostSecrets on his award-winning blog, www.PostSecret.com, in an internationally traveling art exhibit, and in three electrifying books: the bestselling PostSecret, My Secret, and The Secret Lives of Men and Women.

Now, in his most extraordinary book yet, Warren again delves into our collective confessions, presenting a never-before-seen selection of provocative and moving PostSecrets. A Lifetime of Secrets lays bare our private fears, hopes, regrets, and desires, from people as young as eight and as old as eighty. From painful admissions of infidelity to breathtaking revelations and endearing sentiments, Warren's latest collection will shock and move readers of every age, revealing secrets that have haunted their creators for a lifetime.

Six PostSecrets from A Lifetime of Secrets

Here are six of the PostSecrets included in A Lifetime of Secrets, and never before seen online. Click on each image to see a larger version.

Frank Warren's Introduction to A Lifetime of Secrets

When I told my father I was collecting secrets from strangers for an art project, he didn't know what to think. I tried to explain how the thousands of secrets that had been mailed to me were more than mere confessions. They could be beautiful, funny, sorrowful, inspiring.

"But, Frank," he asked, "why are you soliciting secrets from strangers, and why would anyone tell you a real secret?"

I invited my father to fly out for a PostSecret art exhibit in Washington, D.C., where hundreds of the postcards were on display. More than 15,000 people came to see the secrets, and my father was there, day after day, to hear many of their transformative stories. Some people told me they recognized a hidden part of themselves on a stranger's postcard. Others shared personal experiences of how talking about a painful secret had helped heal a lifelong relationship.

The exhibit came to an end and I took my father back to the airport to catch a red-eye flight home. During our drive we passed through a long dark stretch of highway when my father broke the silence by asking me, "Do you want to know my secret?" He bravely recounted a traumatic childhood experience. When he finished, we had a true talk that gave me a richer understanding of my father and recast our relationship.

• • •

For A Lifetime of Secrets, the fourth PostSecret book, I've selected postcards that show how secrets can reveal a momentary impulse or haunt us for decades and arranged them by age to follow the common journey we all take through childhood, adolescence, adulthood, maturity. Stretched over a full lifespan, the secrets expose the meaningful ways we change over time, and the surprising ways we don't.

The postcards narrate childhood stories that have never been spoken; they voice the guarded confessions of our parents and grandparents. They confirm that our rich interior lives are not defined by how old we are, and that with aging comes not only loss but also the possibility of grace and wisdom.

The following two secrets arrived in my mailbox the same week. The postmarks on each card were different, but when I posted them together on the PostSecret website (www.postsecret.com) they seemed as though they could have been written by the same person at two different points in her life.

I am a junior in high school. I have good friends and a loving family. I am smart. I am a good athlete and musician. But I would trade all that in if it meant I would be beautiful.

I spent my high school years believing I was UGLY. I just went through a photo album that had pictures of me over the last 20 years. Turns out I was/am kind of cute. No more wasting time on thinking otherwise.

When I give PostSecret presentations at college campuses, my hope is that people I have never met will be inspired to change their lives through the secrets and stories being shared. Not long ago, at one of my talks, it was my life that was changed, and the secret that inspired me came from a stranger in the front row.

I began my presentation by handing out blank postcards to everyone in the auditorium. I invited each person to anonymously write down a secret on a card and then pass it on. For the next hour, the postcards circulated and were read silently multiple times. At the end of my talk, I asked if anyone would like to stand and read the secret they were holding at that moment. A man in the front row stood up and haltingly read:

I wish I could apologize to my younger brother for the way I treated him growing up.

His postcard was blank.

I have witnessed many times how the courage of sharing a secret can be contagious. When I realized that the man had been pretending to read someone else's secret and that the person he had left with was likely his brother, I was inspired.

Growing up, I was not an ideal older brother. As an adult, I have wished for an opportunity to apologize for some of my actions but did not want to open old wounds. I have not shared this secret with my brother . . . until now.

--Frank Warren

A People's History of American Empire

Maus I: A Survivor's Tale: My Father Bleeds History

Some historical events simply beggar any attempt at description--the Holocaust is one of these. Therefore, as it recedes and the people able to bear witness die, it becomes more and more essential that novel, vigorous methods are used to describe the indescribable. Examined in these terms, Art Spiegelman's Maus is a tremendous achievement, from a historical perspective as well as an artistic one.

Spiegelman, a stalwart of the underground comics scene of the 1960s and '70s, interviewed his father, Vladek, a Holocaust survivor living outside New York City, about his experiences. The artist then deftly translated that story into a graphic novel. By portraying a true story of the Holocaust in comic form--the Jews are mice, the Germans cats, the Poles pigs, the French frogs, and the Americans dogs--Spiegelman compels the reader to imagine the action, to fill in the blanks that are so often shied away from. Reading Maus, you are forced to examine the Holocaust anew.

This is neither easy nor pleasant. However, Vladek Spiegelman and his wife Anna are resourceful heroes, and enough acts of kindness and decency appear in the tale to spur the reader onward (we also know that the protagonists survive, else reading would be too painful). This first volume introduces Vladek as a happy young man on the make in pre-war Poland. With outside events growing ever more ominous, we watch his marriage to Anna, his enlistment in the Polish army after the outbreak of hostilities, his and Anna's life in the ghetto, and then their flight into hiding as the Final Solution is put into effect. The ending is stark and terrible, but the worst is yet to come--in the second volume of this Pulitzer Prize-winning set. --Michael Gerber

A story of a Jewish survivor of Hitler's Europe and his son, a cartoonist who tries to come to terms with his father's story and history itself.

The Marvel Encyclopedia

Marvel Comics' character roster boasts some of the best known and most popular characters ever conceived-heroes that are international household names, both as comic book stars and movie stars, such as Spider-Man, the Hulk and Wolverine. This unique, one-volume encyclopedia contains more than 1000 of Marvel's greatest, with full details of their powers and their thrill-packed careers. The encyclopedia's range of spectacular art features eye-popping work by Marvel's finest artists, while the authoritative text is supplied by a team of top Marvel comic book writers. In addition, double-page features, illustrated with classic covers, trace the fascinating story of Marvel Comics through the decades. The Marvel Comics Encyclopedia is an essential book both for new fans and for those who grew up loving the excitement, heroism and humor of the Marvel Universe. Includes a foreword by Stan Lee.

Wall and Piece

Banksy, Britain's now-legendary "guerilla" street artist, has painted the walls, streets, and bridges of towns and cities throughout the world. Not only did he smuggle his pieces into four of New York City's major art museums, he's also "hung" his work at London's Tate Gallery and adorned Israel's West Bank barrier with satirical images. Banksy's identity remains unknown, but his work is unmistakable—with prints selling for as much as $45,000.

Charlotte Moss: A Flair for Living

Art & Fear: Observations On the Perils (and Rewards) of Artmaking

"This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially-statistically speaking-there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius."
--from the Introduction

Art & Fear explores the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. The book's co-authors, David Bayles and Ted Orland, are themselves both working artists, grappling daily with the problems of making art in the real world. Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is expeienced by artmakers themselves.

This is not your typical self-help book. This is a book written by artists, for artists -- it's about what it feels like when artists sit down at their easel or keyboard, in their studio or performance space, trying to do the work they need to do. First published in 1994, Art & Fear quickly became an underground classic. Word-of-mouth response alone-now enhanced by internet posting-has placed it among the best-selling books on artmaking and creativity nationally.

Art & Fear has attracted a remarkably diverse audience, ranging from beginning to accomplished artists in every medium, and including an exceptional concentration among students and teachers. The original Capra Press edition of Art & Fear sold 80,000 copies.

An excerpt:

Today, more than it was however many years ago, art is hard because you have to keep after it so consistently. On so many different fronts. For so little external reward. Artists become veteran artists only by making peace not just with themselves, but with a huge range of issues. You have to find your work...