General

Reinventing the Museum, Historical and Contemporary Perspectives on the Paradigm Shift

Reinventing the Museum gathers 35 seminal articles reflecting over 100 years of dialogue within the musem community about what it means to be a high-quality, relevant institution. Important reading for museum professionals, students, and anyone interested in museums and their development.

Museum Administration: An Introduction (American Association for State and Local History Book Series)

Museum Administration is the handbook for students, new professionals, and anyone who needs to know what goes into running a museum. The authors cover everything from basic organization to human resource management, with case studies and exercises to help reinforce the text. Includes an extensive bibliography and appendices. Visit our website for sample chapters!

Chinese Art and Culture

This book takes a look at Chinese art within a variety of contexts—archeological, cultural, historical, social, and ritual/religious. Organized both chronologically and thematically, it covers a full historical span and includes a wide range of media settings for art—from elite to popular. An emphasis on the dynamic processes that effect the history of Chinese art: social, economic, political competition, urbanization, markets and tastes, and quests for cultural authority, allows specific works of art to be discussed in extensive detail, while setting them within larger explanatory stories. A guide to Chinese art for individuals interested in one of the most abundantly artistic cultures in the history of the world.

A Legal Primer on Managing Museum Collections, 2nd Edition

Afghanistan: Hidden Treasures

Almost 30 years ago, a precious trove of art was spirited away from the National Museum of Afghanistan by a small group of "keyholders" —museum guards, curators, and antiquities lovers who risked their lives to save the country’s cultural treasures. Their actions spared these magnificent pieces from the threat of destruction, first by the invading Soviets in 1979 and more recently by the Taliban. Exquisitely crafted in gold and ivory, the artifacts illustrate Afghanistan’s key place at the crossroads of Europe, the Middle East, and Asia, at the center of the ancient Silk Road—a rich heritage to be displayed at four major U.S. museums through 2009. Crowning this headline-making exhibition is a famous hoard of Bactrian gold, considered to be one of the greatest archaeological discoveries of the 20th century.

To help create the exhibit and book, archaeologist and National Geographic Society Fellow Fredrik T. Hiebert inventoried the artifacts at the request of the Afghan government. Gorgeously photographed and elegantly packaged, the collection shines in this official companion to the much anticipated and widely covered tour.

For the eager audiences who will visit, and for legions of art and history lovers across the United States, Afghanistan: Hidden Treasures provides a beautiful, affordable keepsake, a handsome gift, and a rare opportunity to appreciate this matchless tradition of artistry and the steadfast human spirit that preserved it.

Sensorium: Embodied Experience, Technology, and Contemporary Art

The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In Sensorium, contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in Sensorium--which accompanies an exhibition at the MIT List Visual Arts Center--captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of Sensorium, scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually.

Copublished with The MIT List Visual Arts Center.

Exhibiting Cultures: The Poetics and Politics of Museum Display

Learning from Museums: Visitor Experiences and the Making of Meaning: Visitor Experiences and the Making of Meaning (American Association for State and Local History Book Series)

Visit our website for sample chapters!

The Book as Art: Artists' Books from the National Museum of Women in the Arts

Culled from over eight hundred unique or limited-edition volumes held by the National Museum of Women in the Arts these books explore the form as a container for ideas. Descriptions of the works are accompanied by colorful illustrations and reflections by their makers, along with essays by leading scholars and a lively introduction by the most famous book artist in our culture, best-selling author Audrey Niffenegger. The exquisitely crafted objects in the The Book as Art are sure to provoke unexpected and surprising conclusions about what constitutes a book.

Lucian Freud

This volume, with more than 400 reproductions, will be the most comprehensive publication to date on Lucian Freud, covering a span of seventy years and including many works not previously reproduced. The result is a corpus of great works that reveal him to be the premier heir today of Rembrandt, Courbet, and Cézanne. The book includes not only Freud’s paintings but also his sketches, woodcuts, and powerful etchings. While the bulk of his paintings are female nudes, his cityscapes, plant studies, and interiors, executed in his distinctive muted palette and visible brushwork, are all included. Freud, who has lived in London ever since his family left Berlin in 1933 when he was ten, has achieved preeminence through his ruthless perception of the human form. His importance has long been recognized in England, but his present super-celebrity status dates from a retrospective at the Hirshhorn in Washington, D.C., in 1987. William Feaver, painter and for many years art critic for The Observer, provides a unique account of Freud’s preoccupations and achievement. Startling, moving, profoundly entertaining, the book lives up to Freud’s advice to students when getting them to paint self-portraits: “To try and make it the most revealing, telling, and believable object. Something really shameless, you know.”