Michelangelo

Michelangelo (XL Series)

Renaissance man: Michelangelo as never seen before. Before reaching the tender age of thirty, Michelangelo Buonarroti (1475-1564) had already sculpted David and Pieta, two of the most famous sculptures in the entire history of art. Like fellow Florentine Leonardo da Vinci, Michelangelo was a shining star of the Renaissance and a genius of consummate virtuosity. His achievements as a sculptor, painter, draughtsman, and architect are unique- no artist before or after him has ever produced such a vast, multi-faceted, and wideranging oeuvre. Only a handful of other painters and sculptors have attained a comparable social status and enjoyed a similar artistic freedom. This is demonstrated not only by the frescoes of the Sistine Chapel but also by Michelangelo's monumental sculptures and his unconventional architectural designs, whose forms went far beyond the accepted vocabulary of his day. Such was his talent that Michelangelo was considered a demigod by his contemporaries and was the subject of two biographies during his lifetime. Adoration of this remarkable man's work has only increased on the intervening centuries. Following the success of our XL title Leonardo da Vinci, TASCHEN brings you this massive tome that explores Michelangelo's life and work in more depth and detail then ever before. The first part concentrates on the life of Michelangelo via an extensive and copiously illustrated biographical essay; the main body of the book presents his owrk in four parts providing a complete analytical inventory of Michelangelo's paintings, sculptures, buildings and drawings. Grorgeous, full page reproductions and enlarged details bring readers up close to the works. This sumptuous tome also takes account, to a previously unseen extent, of Michelangelo's more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his miserliness, his immense wealth, and his skill as a property investor. In addition, the book tackles the controversial issue of the attribution of Michelangelo drawings, an area in which decisions continue to be steered by the interests of the art market and the major collections. This is the definitive volume about Michelangelo for generations to come.

Michelangelo (Icon Editions)

Michelangelo : Life, Letters, and Poetry (Oxford World's Classics)

Michelangelo was, apart from being a sculptor, architect, and painter of genius, a poet and letter-writer of remarkable accomplishment. George Bull, a distinguished translator of many Italian classics, has brought his skill and experience to bear on translating this new selection of Michelangelo's letters and poetry, as well as the Life, the biography written by Michelangelo's pupil Ascanio Condivi.

Vasari's Lives of the Artists: Giotto, Masaccio, Fra Filippo Lippi, Botticelli, Leonardo, Raphael, Michelangelo, Titian

Michelangelo, Drawing, and the Invention of Architecture

Michelangelo A&I (Art and Ideas)

The books in the Art and Ideas series, which will cover everything from Fra Angelico to Frida Kahlo, are supremely pleasurable to read. In this volume, for example, Anthony Hughes writes dryly of a Michelangelo sculpture of Christ, which was tinkered with and damaged during installation in March 1521: "Since then, more tampering has taken place.... From the late sixteenth century, Christ's genitalia were hidden beneath a bronze loincloth, although that did not prevent a zealous Dominican from trying to remove the penis." Written by scholarly experts who know how to turn a phrase and focus a gaze, the books are filled with hundreds of crisp, color reproductions that give purely visual pleasure and information. Their handy size, 6 1/4 by 8 1/2 inches, makes them easy to carry in a briefcase or backpack, and the text is printed in an easy-to-read typeface, with generous spacing. Even the time lines, biographies, and glossaries in the back are inviting to the eye. There will eventually be more than 100 volumes in the series, which is comparable to Thames and Hudson's World of Art series.

The books in the Art and Ideas series, which will cover everything from Fra Angelico to Frida Kahlo, are supremely pleasurable to read. In this volume, for example, Anthony Hughes writes dryly of a Michelangelo sculpture of Christ, which was tinkered with and damaged during installation in March 1521: "Since then, more tampering has taken place.... From the late sixteenth century, Christ's genitalia were hidden beneath a bronze loincloth, although that did not prevent a zealous Dominican from trying to remove the penis." Written by scholarly experts who know how to turn a phrase and focus a gaze, the books are filled with hundreds of crisp, color reproductions that give purely visual pleasure and information. Their handy size, 6 1/4 by 8 1/2 inches, makes them easy to carry in a briefcase or backpack, and the text is printed in an easy-to-read typeface, with generous spacing. Even the time lines, biographies, and glossaries in the back are inviting to the eye. There will eventually be more than 100 volumes in the series, which is comparable to Thames and Hudson's World of Art series.

Michelangelo and The Pope's Ceiling

Almost 500 years after Michelangelo Buonarroti frescoed the ceiling of the Sistine Chapel in Rome, the site still attracts throngs of visitors and is considered one of the artistic masterpieces of the world. Michelangelo and the Pope's Ceiling unveils the story behind the art's making, a story rife with all the drama of a modern-day soap opera.

The temperament of the day was dictated by the politics of the papal court, a corrupt and powerful office steeped in controversy; Pope Julius II even had a nickname, "Il Papa Terrible," to prove it. Along with his violent outbursts and warmongering, Pope Julius II took upon himself to restore the Sistine Chapel and pretty much intimidated Michelangelo into painting the ceiling even though the artist considered himself primarily a sculptor and was particularly unfamiliar with the temperamental art of fresco. Along with technical difficulties, personality conflicts, and money troubles, Michelangelo was plagued by health problems and competition in the form of the dashing and talented young painter Raphael.

Author Ross King offers an in-depth analysis of the complex historical background that led to the magnificence that is the Sistine Chapel ceiling along with detailed discussion of some of the ceiling's panels. King provides fabulous tidbits of information and weaves together a fascinating historical tale. --J.P. Cohen

In 1508, Pope Julius II commissioned Michelangelo to paint the ceiling of the Sistine Chapel. The thirty-three-year-old Michelangelo had very little experience of the physically and technically taxing art of fresco; and, at twelve thousand square feet, the ceiling represented one of the largest such projects ever attempted. Nevertheless, for the next four years he and a handpicked team of assistants laboured over the vast ceiling, making thousands of drawings and spending backbreaking hours on a scaffolding fifty feet about the floor. The result was one of the greatest masterpieces of all time.

This fascinating book tells the story of those four extraordinary years and paints a magnificent picture of day-to-day life on the Sistine scaffolding — and outside, in the upheaval of early sixteenth-century Rome.

Michelangelo's Mountain: The Quest For Perfection in the Marble Quarries of Carrara

No artist looms so large in Western consciousness and culture as Michelangelo Buonarroti, the most celebrated sculptor of all time. And no place on earth provides a stone so capable of simulating the warmth and vitality of human flesh and incarnating the genius of a Michelangelo as the statuario of Carrara, the storied marble mecca at Tuscany's northwest corner. It was there, where shadowy Etruscans and Roman slaves once toiled, that Michelangelo risked his life in dozens of harrowing expeditions to secure the precious stone for his Pietà, Moses, and other masterpieces.

Many books have recounted Michelangelo's achievements in Florence and Rome. Michelangelo's Mountain goes beyond all of them, revealing his escapades and ordeals in the spectacular landscape that was the third pole of his tumultuous career and the third wellspring of his art. Eric Scigliano brings this haunting place and eternally fascinating artist to life in a sweeping tale peopled by popes and poets, mad dukes and mythic monsters, scheming courtiers and rough-hewn quarrymen. In showing how the artist, land, and stone transformed one another, Scigliano brings fresh insight to Michelangelo's most cherished works and illuminates his struggles with the princes and potentates of Carrara, Rome, and Medici Florence, who raised intrigue to a high art. He recounts the saga of the David, the improbable masterpiece that Michelangelo created against all odds, of the twin Hercules that he tried to erect beside it, and of the Salieri-like nemesis who snatched away the commission, turning a sculptural testament to liberty into a bitter symbol of tyranny and giving Florence the colossus it loves to hate.

Scigliano plumbs the Renaissance archives, uncovering previously unpublished and untranslated documents, and trolls the earthy cantinas of Carrara, where old cavatori who wrestled giant blocks from the mountains by hand recount the miseries and glories of a vanishing heroic age. He takes readers along with another sojourner, the exiled poet Dante Alighieri, who drew his visions of Hell and Purgatory partly from the surreal panorama of Carrara's quarries. Interweaving art, architecture, science, politics, folklore, and even quarry cuisine, he traces the mystique of marble and the magic of the stone carver's art from prehistory to the present, and shows how they culminate in the triumph and tragedy of Michelangelo's Pygmalion-like quest to bring life out of stone.

Michelangelo Life Drawings (Dover Art Library)

The Life of Michelangelo